The World Publishing Company, Cleveland and New York; "First Edition" stated; hardbound former "Clark College Library" book; red boards with gilt lettering on cover and spine; a few bumps of pages and some soiling of covers and spine - see pics for condition.
All Men Are Mortal (French: Tous les hommes sont mortels) is a 1946 novel by Simone de Beauvoir. It tells the story of Raimon Fosca, a man cursed to live forever. The first American edition of this work was published by The World Publishing Company. Cleveland and New York, 1955. It was adapted into a 1995 film of the same name.
Regina is a young theatrical actress. Her career seems to be promising and her reputation becomes wider with every tour and performance. But she is not content. The sparks of attention in the eyes of her audience seem fleeting and the praises seem typical rather than unique. She can not accept herself sharing their attention and regards with her co-star Florence.
Following a performance in Rouen, Regina chooses to stand aside from her theatrical troupe and starts an internal monologue concerning her uniqueness, or lack thereof, among other women. She keeps comparing herself to Florence and focusing on the current love life of her fellow actress. She bitterly acknowledges that Florence is probably not thinking about her and neither are the other people around her. Then she notices another man who seems to pay little attention to her, Raymond Fosca.
Fosca is described as a reasonably attractive with a crooked nose, tall and athletic, seemingly young but with a passionless face and empty eyes that remind Regina of her father in his deathbed.
Soon enough Regina finds that Fosca resides in the same hotel as her theatrical troupe. He has piqued the curiosity of the staff and several visitors for his peculiar habits. He had been staying in the hotel for a month but hardly spoke to anybody and appeared deaf to any attempts to speak to him. He spent his days in the garden, sitting in silence even in rain. He never changed clothes and no one had seen him eat anything.
A curious Regina enters his room in his absence and finds release papers from an asylum, claiming the man suffered from amnesia and was incarcerated for an unknown amount of time. He was considered harmless and released a month before. She decides to use the information to approach Raymond Fosca. However Fosca is not in the mood for conversations. Regina asks him for a way to escape her boredom...