dated "January 1936" (from intro by T.S. Eliot); smaller hardbound; Harcourt, Brace and Company publishers, New York; very good condition with unmarked pages except for previous owner's name inside page (see pic); dust jacket has edge wear/small tears.
 
description -
"A dramatization of the murder of Thomas Becket at Canterbury"  The Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.
 
plot -
The action occurs between 2 and 29 December 1170, chronicling the days leading up to the martyrdom of Thomas Becket following his absence of seven years in France. Becket's internal struggle is a central focus of the play.
 
The book is divided into two parts. Part one takes place in the Archbishop Thomas Becket's hall on 2 December 1170. The play begins with a Chorus singing, foreshadowing the coming violence. The Chorus is a key part of the drama, with its voice changing and developing during the play, offering comments about the action and providing a link between the audience and the characters and action, as in Greek drama. Three priests are present, and they reflect on the absence of Becket and the rise of temporal power. A herald announces Becket’s arrival. Becket is immediately reflective about his coming martyrdom, which he embraces, and which is understood to be a sign of his own selfishness—his fatal weakness. The tempters arrive, three of whom parallel the Temptations of Christ.
 
The first tempter offers the prospect of physical safety.